Skip to content

ĀRKGallery

Gallery

Wallpapers for your phone and desktop. Each one starts with a verse, checked in the original language before the picture was made. The library holds 10 finished plates, and 9 more that are verified and catalogued, waiting on artwork.

ĀRKGalleryAll wallpapers

10 wallpapers

ĀRKThe wallpapers

One picture, one verse

Tap Step to see the whole picture drawn the way its sky is drawn, in big pixels.

A woman stands in a dark farmhouse loft looking out through a tall gable window at a pixel-rendered night: stars, stepped clouds, a windmill, a field of corn and a parked pickup truck.
No. 01, Portrait, 3:4
No. 01

The Window

Something rare has happened here: a person in a warm room has stopped moving. The verse marks that exact moment, where a life turns from surviving to asking.

Read more about this picture

A farmhouse loft in the quiet hour after dusk. Everything outside the glass is drawn at a coarser resolution than the room, the clouds step, the corn rows tile, the windmill turns in whole pixels, standing as the cosmic order orchestrated by the Supreme Controller. The observer has turned her back upon the desk lamp and mundane domestic preoccupations. In the Brahma-Vaiṣṇava framework, this is the precise threshold of human life: pausing the mechanical routines of bodily survival to stand before the cosmos and awaken inquiry into the eternal origin and master of all existence.

Overhead view of a wooden boat with an oṁ-marked orange sail crossing dark green water, surrounded by a vast stepped mandala pattern rippling out across the sea.
No. 02, Portrait, 3:4
No. 02

The Crossing

One boat, one syllable on the sail, water in every direction and no landmark anywhere. The verse holds that the name carried on that sail is itself enough to cross with, for the renounced, the ambitious and the realised alike.

Read more about this picture

Viewed from above on open water, a lone boat crosses the sea, its orange sail bearing the sacred syllable. The dark waters ripple outward in a stepped mandala of cosmic order. In the Brahma-Vaiṣṇava tradition, traversing the turbulent ocean of material existence does not depend on mental speculation or self-effort; absolute fearlessness and deliverance are found in taking complete shelter of the transcendental sound vibration of Hari’s holy name.

A figure stands in tall grass on a hillside at night, one hand raised, watching a comet. Across the valley a line of torch-bearers winds up a forested ridge toward a lit temple at the summit.
No. 03, Portrait, 3:4
No. 03

The Lamp Road

Nobody on this ridge is climbing alone, and nobody is climbing in the dark. The verse is unsentimental about why: the path is razor-thin, and it is crossed behind someone who has already crossed it.

Read more about this picture

A night sky cut by a blazing comet looks down upon a winding mountain ridge, where an ascending procession of torchbearers winds toward a summit temple radiant in its own light. In the Brahma-Vaiṣṇava understanding, the individual soul does not invent spiritual truth in isolation. Conditioned souls sleeping in the darkness of material illusion are roused by the spiritual masters of the paramparā, each passing the torch of revealed knowledge down an unbroken lineage toward Bhagavān.

A woman kneels at the open hood of an old truck on a cracked desert highway at night, a flashlight held in her teeth, while a vast lit art-deco temple city stands on the mesa above with waterfalls and airships.
No. 04, Portrait, 3:4
No. 04

The Roadside

She is not looking at the luminous city on the mesa. She is fixing a truck, with a light held in her teeth. The verse is a promise made about people like her, what such a person lacks is carried for her, and what she has is kept.

Read more about this picture

A devotee kneels at the open hood of an old truck on a cracked desert highway with tools in hand and a flashlight held in her teeth, focused entirely on the duty before her, while a glowing celestial city stands on the mesa above. In the Brahma-Vaiṣṇava framework, surrender is not idle passivity; it is dutiful, resolute service in the Lord’s work with full faith that Śrī Kṛṣṇa personally protects, preserves, and carries the necessities of those wholly dedicated to Him.

A vast archive corridor of inscribed stone opening onto a pixel-drawn daylight valley, one small figure standing at the threshold beneath the ĀRK wordmark.
No. 05, Landscape, 16:9, The one shot in daylight
No. 05

The Archive Gate

The inscribed stone archive corridor behind her holds thousands of years of physical shelves and recorded data; the daylight threshold ahead is the Paramātmā who has witnessed every step of it.

Read more about this picture

A vast archive corridor of inscribed stone opening onto a daylight river valley, with a single figure standing at the threshold beneath the ĀRK wordmark. For thousands of years, the vast Vedic corpus had been assigned physical shelves, but never a persistent, machine-citable digital address. At ĀRK, every verse, word-for-word gloss, and commentarial layer is assigned an immutable coordinate, restoring its technical precision and historical reality through Vedic Futurism. In the foundational Brahma-Vaiṣṇava understanding of Muṇḍaka Upaniṣad 3.1.1, all material data and empirical search merely catalogue the tree of external action; true enlightenment begins when the individual soul (jīvātmā) turns away from absorbing itself in the fruits of the world to recognize the Supersoul (Paramātmā) who resides within the heart.

MembersMembership required
A streamlined spacecraft docked on a maintenance tarmac at night under a star-filled sky, with a technician working inside an illuminated service hatch beneath the ĀRK Vedic Futurism wordmark.
No. 06, Landscape, 16:9
No. 06

The Synthesis

The spacecraft on the tarmac represents humanity’s sharpest mechanical reach; the verse insists that without transcendental knowledge mastered side by side, even the furthest voyage remains adrift in the dark.

Read more about this picture

A streamlined spacecraft sits docked on a maintenance tarmac at night under a star-filled sky, with a technician working inside an illuminated service hatch beneath the ĀRK wordmark. It embodies the core thesis of Vedic Futurism: empirical science and transcendental knowledge mastered side by side (ubhayaṁ saha). Six billion kilometers away, Voyager 1 captured Earth as a pale blue speck, but mechanical lenses could say nothing about what the enterprise was for. High-technology execution machinery without transcendental purpose is blind velocity; passive spiritual detachment is renunciation in the mode of passion. The Śrī Īśopaniṣad delivers the lasting synthesis: high-technology execution machinery paired with uncompromised Vedic substance.

ĀRKIn production

Catalogued, artwork still to come

Every verse below is checked and catalogued. None has artwork yet, so none is shown as a picture. Filter by type of source, topic, school of thought, or life goal. You do not need any of that to look at the art.

Pramāṇa

The kind of evidence the source is.

Topic

What the piece is about.

Darśana

The school whose reading the piece follows.

Puruṣārtha

The human aim the piece speaks to.

9 pieces

Mantrarāja

Nṛsiṁha-pūrva-tāpanīya Upaniṣad 2.1

ugraṁ vīraṁ mahāviṣṇuṁ jvalantaṁ sarvatomukham | nṛsiṁhaṁ bhīṣaṇaṁ bhadraṁ mṛtyur-mṛtyuṁ namāmy aham ||

urn:arka:npt.2.1Artwork still to come

Everything Belongs to the Lord

Īśa Upaniṣad 1

īśāvāsyam idaṁ sarvaṁ yat kiñca jagatyāṁ jagat | tena tyaktena bhuñjīthā mā gṛdhaḥ kasya svid dhanam ||

Artwork still to come

The Transmigration of the Soul

Bhagavad-gītā 2.13

dehino ’smin yathā dehe kaumāraṁ yauvanaṁ jarā | tathā dehāntara-prāptir dhīras tatra na muhyati ||

Artwork still to come

The Divine Descent

Bhagavad-gītā 4.7

yadā yadā hi dharmasya glānir bhavati bhārata | abhyutthānam adharmasya tadātmānaṁ sṛjāmy aham ||

Artwork still to come

Surrender Unto Me Alone

Bhagavad-gītā 18.66

sarva-dharmān parityajya mām ekaṁ śaraṇaṁ vraja

Artwork still to come

Kṛṣṇas tu Bhagavān Svayam

Śrīmad-Bhāgavatam 1.3.28

ete cāṁśa-kalāḥ puṁsaḥ kṛṣṇas tu bhagavān svayam | indrāri-vyākulaṁ lokaṁ mṛḍayanti yuge yuge ||

Artwork still to come

The Supreme Occupation

Śrīmad-Bhāgavatam 1.2.6

sa vai puṁsāṁ paro dharmo yato bhaktir adhokṣaje | ahaituky apratihatā yayātmā suprasīdati ||

Artwork still to come

The Prime Cause of All Causes

Brahma-saṁhitā 5.1

īśvaraḥ paramaḥ kṛṣṇaḥ sac-cid-ānanda-vigrahaḥ | anādir ādir govindaḥ sarva-kāraṇa-kāraṇam ||

Artwork still to come

Cleansing the Mirror of the Heart

Śikṣāṣṭaka 1

ceto-darpaṇa-mārjanaṁ bhava-mahā-dāvāgni-nirvāpaṇam

Artwork still to come

Want a particular verse?

Nothing here is made on demand, and that is deliberate. If there is a verse you want to see drawn, write and say so.